Singer Tony Adamo On USNEWJAZZ Jazz Infusion 2 Compilation

Tony Comes To USNewJazz.com With Two Tracks From His Recently Released CD. End Quote

(1888PressRelease) June 03, 2011 - Tony Adamo
A beat poet for the new generation? Or a jazz-funk crooner? Take your pick.

I think that either one of these characterizations could easily describe Tony Adamo. Tony comes to USNewJazz.com with two tracks from his recently released CD - "What is Hip?"

"What Is Hip"
When I first heard this cover of this Tower of Power song from 1973, it brought back memories of other spoken word songs. However, Tony's offering is not as "gimmicky" as these other songs. There is a strong sense of cool sophistication in the way he delivers the lyrics. It doesn't hurt that he has a set of smooth pipes. It also doesn't hurt that a great group of musicians that add so much to this song backs him. A special "thumbs up" to Sandy Griffith, whose background vocals give this song a real (for lack of a better reference) "Motown Feel".

"Cold Duck Time"
Tony does a laid-back and funky version of this Eddie Harris and Les McCann song from their 1969 album - "Swiss Movement". On this track, Tony shows (once again) his smooth vocals. Melecio Magdalugo on sax is a great foil for Tony's vocals. Neil Larsen on organ brings an undercurrent of soul to the party. This is without a doubt a fine tribute to one of jazz's classic tracks.
Jeff's Favorite: "What is Hip?"

Jeff's Final Thought: For me, Tony's renditions conjure up visions of the classic "cocktail party". Others have called his music a combination of the big band and sound with a seasoned Vegas lounge singer. I agree with those comparisons. However, it is much more than that for me. Taking a quick tour of this CD, you will find a number of good versions of classic songs. Some of the standouts include "Make a Memory", "Calling" and an interesting version of the Beatles "Eleanor Rigby". The combination of smooth vocals, spoken word and, solid arrangements make this album complete. I am really having a hard time thinking of contemporary comparisons for Tony. I think that he is without a true equal. Others have said that you could compare him to Tom Jones or Lou Rawls. I'll throw Dean Martin into that mix.

Still, there really is no comparison.
Jeff Niziol
e-mail: USNewJazzJeff ( @ ) hotmail dot com

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